ראיון ישן עם ברנדן פהר.

ראיון ישן עם ברנדן פהר.

הנה ראיון ישן שנערך עם ברנדן פהר לפני כ-4 שנים בדיוק שהתחילו לשדר את רוזוול בארה"ב: As New Westminster-born, Mission-raised high-school-athlete- turned-TV-actor Brendan Fehr steps into the prime-time limelight as one of the disaffected alien teenagers of Roswell, the well-oiled publicity machine of The WB television network shifts into warp drive. This is the same advertiser-friendly, youth-oriented network that recognized the purchasing power of teens and gave them Buffy the Vampire Slayer, Dawson's Creek, Charmed and Felicity, that vaulted Kitsilano's Joshua Jackson to cover-boy status in the process and now threatens to do the same for Fehr and his Popular Kerrisdale contemporary, Carly Pope. But for all its ability to position its Gap-worthy, Details-friendly teen idols in the popular zeitgeist -- Sarah Michelle Gellar, Katie Holmes, Keri Russell, etc. -- the WB publicity machine is still capable of gumming up the works with a geographic glitch every now and then. Fehr's official WB biography, for example, lists him as growing up in "the British Columbia hamlet of New Westminster." "Hamlet?" Fehr says, seating himself at an out-of-the-way table at a downtown food court within sight of a gaggle of teenage girls who spot him and begin talking among themselves very, very loudly. "I don't even know what that is." Don't believe it. Fehr, taller than he appears on TV and, like Pope, more grounded and worldly than his 21 years might suggest, was a scholastic overachiever who planned to study mathematics in university and then become a teacher. Instead, on a dare, he tried his hand at modeling. That led to guest appearances on the Vancouver- made series Breaker High and Millennium and minor roles in New Line Cinema's Flight 180, with Devon Sawa, and the MGM feature film Disturbing Behavior for director David Nutter. Even though most of Fehr's Disturbing scenes ended up on the cutting-room floor, Nutter was impressed enough that when he formed a creative union with My So- Called Life-writer Jason Katims on Roswell, he suggested that Fehr read for the role of Michael Guerin, one of a trio of descendants from alien beings who, according to popular legend, crashed and burned in the New Mexico desert in 1947. Fehr is dressed loosely and unpretentiously on this late-autumn afternoon, thin for his height in the way many TV actors are, with alert eyes and a wavy shock of sandy-coloured hair. If not for the fact that he is accompanied by a publicist-cum-handler, he could pass for any one of the teenagers and early 20-somethings milling around the food court. When his handler ducks into a Starbucks for a latte, Fehr grabs a chicken sandwich at the adjacent McDonald's and attacks it with almost otherworldly zeal. "They don't have McChickens down in the States and I've been craving one for a long time," he says, pausing long enough to manage an ironic smile. "A lot of things are different down there. I've gone out with agents and lawyers and executives, and you always end up going to some restaurant in Beverly Hills. I'd be content, you know, to just go into some greasy little hamburger shop and grab a burger, but that's just not kosher down there. You're not a real professional unless you do the restaurant routine." Fehr isn't intimidated by the prospect of Dawson-like heat if Roswell continues on its meteoric path. People may recognize him on the street, but he doubts even that will affect his day-to-day life in any dramatic way. "You may have more people come up to you than if you weren't on TV, but it's not as if you can't get from point A to point B. There may be a couple more conversations in between, but I don't think I will have my shirt torn off on the street. Even if the show takes off and becomes wildly successful, in L.A. there are still going to be about a zillion people more famous and alluring than me, so why get bent out of shape over it?" Fehr is in Vancouver for a brief respite from the eight-day-per- episode grind of filming in the hot, rugged desert beyond Los Angeles County. Tonight, Roswell's second episode airs on VTV (8 p.m.) and across Canada on CTV; Wednesday, the series' third episode will air across the U.S. on The WB (WPIX at 6 p.m., KTLA at 9 p.m.). Along with Angel, Roswell is the biggest hit of The WB's fall season: Angel topped lead-in Buffy the Vampire Slayer in the ratings while Roswell, improbably as it may seem, improved on lead-in Dawson's Creek. Fehr says morale on the set is, well, out of this world. He has become tight with castmates Jason Behr, Majandra Delfino, Shiri Appleby and Katherine Heigl, as well as Vancouver-cinematographer John Bartley, a 1996 Emmy Award winner for The X-Files. In between scenes, Fehr queries Bartley incessantly about camera angles and lighting set-ups; Bartley, for his part, is only too willing to share his knowledge.
 
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"Everyone has a great sense of humour," Fehr says, "which is funny because if you take seven or eight people from around North America and you stick them together, the chances of everybody getting along are not that great. For some reason we got lucky. Everybody gets along just wonderfully." Nutter is not letting early success go to their heads; he is a tough task-master with a reputation for demanding exacting performances from his actors. Nutter is uncompromising in his vision; he has been adamant, for example, that Roswell stay true to its original promise to strike that delicate balance between the impossible and the improbable. "You thought it was a wacky idea?," Fehr says, relaxing after demolishing his McChicken. "Join the club. My initial feeling was a lot different than it is now. My initial feeling was exactly what you just said. I was very leery of it. The whole industry is saturated with teenagers in all sorts of roles, and a lot of them are stupid characters in stupid movies. Not only did this show deal with teenagers, when there are already a million of those shows out there, but it was dealing with aliens, too, which isn't exactly the best combination. But then I read the original script, and it rocked me back. It was very, very good, and I came away feeling a lot more confident. I auditioned with David and Jason Katims and everything just clicked from there. "You never know. Some of the best shows on television get cancelled, and some crappy shows stay on for a couple of years. I think we're definitely in the upper half of what's on television. I'm not going to say we're the best, or even one of the best, but we're good. Even with the fast start, though, it's going to take some time. There are a lot of people who make decisions that are out of your hands after you've finished your workday. So you just do the best you can and hope everybody else who works on the show does as well. Then all you can do is go home and sleep." If Fehr chafes at the idea of being lumped in with models for The Gap, he doesn't let it show. He does, however, maintain that acting demands dedication and craft. "For me, the biggest challenge is to play characters that are 180 degrees different from me. The challenge is taking parts that you have no business doing and then doing them well. Sometimes, you're not going to do that well, but at least you took that chance. Taking that chance is a part of growing your craft." Fehr's stay in Vancouver is no longer than a blink, figuratively speaking. He is due back in the California desert first thing this morning. Like many transplanted Canadians, he is grateful for the opportunity to work in the hub of the entertainment industry, but he remains a true blue Canuck at heart. "Hollywood is not America -- at least, I hope not. By that, I don't mean Hollywood as a place; I mean Hollywood as an entity. There are some people who I've seen and been acquainted with, just in passing at a party, that I'd rather not associate with ever again. It seems a lot of people spend a lot of time attacking and then defending, rather than just living their own lives. You find yourself exerting a tremendous amount of energy which really isn't necessary. Everyone's interested in everyone else's business, and what they're doing. I've met some of the nicest people I've ever met in my life down there, but I've also, probably because of the industry, seen more egos and greed than I have in a long time. I can't really put it into words, but when you're there you can see it in black and white, it's that obvious. I've met some people like that in Canada as well, but there they are just a lot more out there. It's just a lot more in your face. But I don't let it get to me. It's all experience."
 
הוא מתוך עיתון בקנדה כלשהו....

הוא התגלגל אליי באימייל והיה לי מצב רוח של שיתוף
לאחר בדיקה חוזרת מצאתי את המקור והוא... The Vancouver Sun, Vancouver, B.C. Oct 18, 1999
 
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